ANALISIS KOMPOSISI MUSIK SOUND OF SUVARNADVIPA KARYA RIAU RHYTHM CHAMBERS INDONESIA

NOOR, M GHAZALI (2018) ANALISIS KOMPOSISI MUSIK SOUND OF SUVARNADVIPA KARYA RIAU RHYTHM CHAMBERS INDONESIA. Undergraduate thesis, UNIMED.

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1. NIM. 2133340009 COVER.pdf - Published Version

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3. NIM. 2133340009 ABSTRACT.pdf - Published Version

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Abstract

Riau Rhythm Chambers Indonesia sebagai pencipta komposisi musik Sound Of Suvarnadvipa, teknik penciptaan komposisi musik Sound Of Suvarnadvipa, serta analisis struktur komposisi musik Sound Of Suvarnadvipa karya Riau Rhythm Chambers Indonesia. Teori yang digunakan dalam penelitian ini adalah teori tentang komposisi, teknik penciptaan, analisis struktur komposisi. Dalam penelitian ini penulis menggunakan metode penelitian deskriptif kualitatif. Adapun data yang digunakan dalam penelitian ini berupa notasi musik Sound Of Suvarnadvipa kemudian akan dianalisis struktur musik, melodi, ritme, serta harmoni yang terkandung di dalam karya tersebut. Penelitian ini lebih kepada kerja laboratorium. Maka lokasi penelitian diadakan di Laboratorium Program Studi Pendidikan Seni Musik Fakultas Bahasa dan Seni Universitas Negeri Medan dalam rentang waktu tiga bulan lamanya mulai dari bulan April 2018 sampai Juni 2018. Riau Rhythm Chambers Indonesia sebagai grup musik yang berlatar belakang musik etnis dalam kemasan yang lebih dinamis yang berkonsentrasi terhadap pelestarian dan pengembangan budaya melayu Riau. Dalam proses garapan karya Riau Rhythm Chambers Indonesia melakukan riset terhadap sastra lisan, lagu rakyat dan cerita rakyat masyarakat Kampar. Berdasarkan penelitian yang dilakukan, maka dapat disimpulkan bahwa komposisi musik Sound Of Suvarnadvipa dimainkan oleh sembilan instrumen musik yaitu cello, biola, flute, perkusi, akordion, gitar 14 senar, gambang, calempong, vocal dengan jumlah 192 birama. Komposisi Sound Of Suvarnadvipa memiliki Struktur bentuk lagu tiga bagian (three part song form) dengan skema A,B,C dan bagian tambahan (auxiliary members) yang terdiri dari Introduction, serta coda. Salah satu ciri khusus yang dilakukan composer dalam garapan komposisi ini adalah dilakukannya langkah penyesuaian wilayah nada terhadap alat musik cello 2 dengan menurunkan senar empat cello menjadi nada B kontra, karena nada terendah dalam komposisi ini adalah nada B pada wilayah oktaf kontra. Birama 1–41 dengan tempo M M = 60. Birama 42-93 perubahan tempo M M = 135. birama 94-133 dimainkan dengan tempo M M=120. Kemudian bagian akhir coda birama 180-192 kembali ke awal dengan tempo M M =60.

Item Type: Thesis (Undergraduate)
Contributors:
ContributionNameNIDN/NIDK
Thesis advisorHasbullah, Mukhlis197606122002121005
Thesis advisorWidiastuti, Uyuni197106072005012001
Call Number: SK-2019 MSK 004
Keywords: Analisis musik, komposisi musik, sound of suvarnadvipa
Subjects: L Education > LB Theory and practice of education
M Music and Books on Music > M Music > M5 Instrumental music
M Music and Books on Music > MT Instruction and study > MT40 Composition. Elements and techniques of music
Divisions: Fakultas Bahasa dan Seni > Pendidikan Seni Musik
Depositing User: Mr Fifri Juanda Harahap
Date Deposited: 01 Mar 2019 16:10
URI: http://digilib.unimed.ac.id/id/eprint/32906

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