PENCIPTAAN HIASAN DINDING MOTIF SEKAR JAGAD SUMATERA UTARA DENGAN TEKNIK BATIK TULIS

The background to this creation is that traditional motifs no longer receive much
attention from society. In North Sumatra, these motifs are rarely applied to the walls of
office buildings and people's homes, especially in urban areas. Entering the modern era
has resulted in people participating in following trends that are increasingly developing.
This creation aims to find out the process of creating written batik works with the Sekar
Jagad North Sumatra motif and to find out the results of creating written batik works with
the Sekar Jagad North Sumatra motif. This creation uses a method consisting of five
stages of creating works of art, namely: preparation, elaboration, synthesis, concept
realization, and completion. The result of this creation is the batik wall decoration work
of Sekar Jagad North Sumatra, consisting of 12 batik works. The works produced are
Sekar Jagad North Sumatra 1, Sekar Jagad North Sumatra 2, Sekar Jagad North Sumatra
3, Sekar Jagad North Sumatra 4, Sekar Jagad North Sumatra 5, Sekar Jagad North
Sumatra 6, Sekar Jagad North Sumatra 7, Sekar Jagad North Sumatra 8, Sekar Jagad
North Sumatra 9, Sekar Jagad North Sumatra 10, Sekar Jagad North Sumatra 11, and
Sekar Jagad North Sumatra 12. This written batik work uses the dabbing technique with
remasol dye. North Sumatra motifs are used as the main motifs in written batik works by
applying the Sekar Jagad batik pattern.